郭恬熙 Alice Kok

生於一九七八年澳門, 於一九九八年往法國留學, 二零零四年於法國土魯茲高等藝術學校獲得法國國立藝術碩士學位。其後在巴黎生活及工作。二零零五年獲法國巴黎ＬA DRAC頒發 La Bourse Individuelle a la Creation ,並完成錄像作品「卡拉伯ＯＫ」。二零零六至零七年於印度與西藏拍攝「仍在流亡 ﹣家書」。零七年年尾回澳。她的藝術創作理念經常圍繞多元文化主義 ; 在後殖民地時代的影響與重要性。她的創作媒體有錄像、攝影、寫作和裝置等。

Born in 1978 in Macau, Alice Kok has left to France in 1998. She has graduated with a Master Degree of Fine Arts in Ecole Supérieure des Beaux Arts de Toulouse in France in 2004. Since then she has been living and working in Paris where she has obtained La Bourse Individuelle a la Creation granted by the DRAC Ile-de-France and has created the video work “Karabic OK”. After traveling in India and Tibet where she has finished the project “Yet in Exile – Family Script”, she returns to live in Macau at the end of 2007. Her works are based on the idea of Multiculturalism at the post-colonial époque. She uses media such as video, photography, writings and installations.

個人展覽Solo Exhibition:
Jan – Feb 08 Family Script/家書” – Photography and Video Installation exhibition at the Centre of Creative Industries, Macau, China.
Dec – Jan 05/06 Fables of Identities/身份的傳說”- Photography exhibition at the Centre of Creative ndustries, Macau, China.
January 2004 Misleading/晤會 - Installation multimedia/Discussion" at the Centre of Creative Industries, Macau, China.

獎項Grant:
March 2009 “Yet in Exile – Family Script” (仍在流亡﹣家書)　
香港獨立短片錄像比賽，亞洲地區競賽最後十名
Ten Finalist of “Asian Award” organized by Independent Film and Video Award (ifva), Hong Kong Art Centre
June 2005 Karabic OK – French national anthem in Arabic ",
Bourse de l’Aide Individuelle de la Création, 2005
DRAC Ile-de-France, Paris, France.

蔣靜華 Catherine, CHEONG Cheng Wa

身體，恰如一個小宇宙，充滿了各種各樣的未知數，就如在這個世界上，在人類社會中存在的那些既複雜又矛盾的秘密一樣，它們會包圍了我的身體、影響著我的思維；我以身體作為一個媒介、用我擅長的藝術語言去表達當「身體」在不同時空領域、不同文化背景、不同思想情感交錯下的狀態，同時亦試圖演繹我內心對外界事物的創意反射。

“The human body is like a mini-universe, full of secrets. My body is wrapped in these secrets as well as those of mankind, which are similarly complex and contradictory. They affect the way I think. Using the body as a medium, I express in my own artistic language the state of the body in different environments, cultures and with different mentalities and emotions. Meanwhile I try to interpret how my inner-self responds creatively to the outside world.”

蔣 靜 華

2003 年 畢業於「澳門理工學院藝術高等學校」平面設計高等專科學位

2004 年 赴法國留學深造

2008 年 畢業於「法國土倫普羅旺斯地中海高等藝術學院」視覺藝術系學士學位

獎 項

2003 年 「澳門國際博物館日」標誌設計比賽優異獎．澳門

個 展

2009 年 「置身度內」﹣個人錄像展，牛房倉庫·澳門

參 與 聯 展

2009 年 「邊周視覺」﹣「歧義﹣澳門第五十三屆威尼斯國際藝術雙年展澳門區徵集作品展」，藝術博物館·澳門

2008 年 「牛市」﹣「牛年牛又展」，牛房倉庫·澳門

2004 年 「下環區」﹣「社區狂熱」，牛房倉庫·澳門

2003 年 「澳門水族館」﹣「第五屆澳門設計雙年展」學生組入選作品展，藝術博物館·澳門

2002 年 「空間二人」﹣「情牽葡韻」圖片回顧展，龍環葡韻住宅式博物館·澳門

Catherine,CHEONG Cheng Wa

2003 Graduated from the Department of Graphic Communication at Macao Polytechnic Institute

2004 Go to the France to pursue advanced studies

2008 Bachelor’s Degree in Fine Arts by the School superior of art of TPM(Toulon Provence Méditerranée) France

Prizes

2003 honorable mention prizes of logo of the Day of Internationnal of Museum, Macao

Solo Exhibitions

2009 D’Après Corps” (According to Body) - Video Art Exhibitions, OX Warehouse , Macao

Group Exhibitions

2009 “Vision Peripheric” - “Divergence - Macau’s Proposed Artworks for the 53rd Venice Biennale”, The Macao Museum of Art

2008 “OX market” - “OX Re-exhibition in the Year of the OX”, OX Warehouse , Macao

2004 “Community of São Lourenço” - “Community Fever”, OX Warehouse, Macao

2003 “Macau Aquariums” - “The V Macao Design Biennial”, The Macao Museum of Art

2002 “Spatial two people” - “Tender Memories of Avenue of the Praia”, The Taipa House Museum, Macao

蔣靜華 / Cheong Cheng Wa

蔣靜華 / Cheong Cheng Wa

牛市 / Bull Market

混合媒體裝置 / Mixed media

小草有「野火燒不盡，春風吹又生」的頑强生命力，無論任何角落，依著薄瘠的土壤，與惡劣的環境及命運搏斗，經過頑强的奮斗，帶著希望，展露於明日的光明世界。

小草的頑強精神一直激勵著我，剛巧今逢牛年，牛有像徵生產與增值的意思，而牛族是食草類的動物，草類植物給牛族帶來了生命的泉源；在此特意種植小草，讓小草的精神和希望為新年能擁有一個生機勃勃的牛年。

同時，在人類生活環境與地球不斷出現矛盾的大前題下，綠化、保護環境、減少污染垃圾等問題也期望慢慢地受到每位市民的重視。

Little grasses have the tenacious vitality of "not vanished under the wild fire, but born-again with the spring wind". Regardless of any corner, according to a thin barren soil, with an adverse environment and the battle of fate, through tenacious struggle, with the hope that the story unfolds in tomorrow, the bright world.

The indomitable spirit of little grasses has inspired me. It happen to the year of the Ox, cattle are very much the meaning of value-added and productive, and the cattle family is herbivorous animals, the grass plants to cattle family brought a source of life; with this reason we specially planted grass, so that the spirit of the grass and hope for the New Year to have a vibrant Year of the Ox.

At the same time, on the premises that the environment and human life on earth continue to rise conflicts, the green, protecting the environment, reducing pollution and other issues also expected to gain attention gradually from each of the citizens.

「牛年牛又展 ─ 大家的回憶和願望」創作特展

“Ox Re-exhibition in the Year of the Ox – Our Memories and Wishes”Special Creative Exhibition

李銳俊 / Jane Lei

李銳俊 / Jane Lei

一天一杯牛奶震惊一个民族 / A cup of milk every day shocked a nation

錄像＋裝置 / Video + Installation

2008年9月的一天，大陸媒體爆出了三聚氰胺有毒牛奶，造成多名嬰兒患上腎結石甚至腎衰竭的新聞，事件引起了全國恐慌及熱烈討論！

網上有人說：『一天一杯牛奶震惊一个民族』，這是人心惶惶、信心破滅的時代所留下的特殊語言。

事件不會無緣無故突然發生。

年積累下來的根源性病毒來自於哪裡？是三聚氰胺？是牛？還是人？！

這牛年，到哪兒去找能再給你信心的牛（奶）／人？

In September 2008, the news of poisonous milk containing melamine hit the headline of China’s media. The milk caused many babies developing kidney stones or even failure, as well as nation-wide public outcry and discussion.

A netizen wrote, “A cup of milk every day shocked a nation”. The statement is a special code in an era of trustless uncertainties.

There must be a cause behind the incident.

Where was the long-accumulated viruses originated? Melamine, oxen, or men?

Where can you find the trustworthy oxen/ milk/ men in the Year of Ox?

「牛年牛又展 ─ 大家的回憶和願望」創作特展

“Ox Re-exhibition in the Year of the Ox – Our Memories and Wishes”Special Creative Exhibition

洪靜文 / HONG CHENG MAN

洪靜文 / HONG CHENG MAN

肉食者 / Carnivore

錄像 / Video recording

我們鄙視肉食者的行為，但大多時候，我們成為了另一個肉食者。

肉食者大多比喻為享有權力金錢的權貴，小眾的一群，只能夠無奈地接受一切。

但大多時候，權貴也好，小眾也好，都不過是一個“人”。

可以說那是追求，但住住卻變成貪念。當願望成真時，可能卻變成過度的追求慾望，一種無窮無盡的貪婪由此而生。在不知不覺間，每個人也成為了另一個肉食者。

We despise carnivore’s behavior, But most of the time, we become another carnivore.
Carnivore usually symbolizes the bigwig with power and wealth. The minority group can only but to accept everything.

But many a time, despite bigwig or the minority, that is merely but a "person".

It can be said that it is a pursuit, but often it has turned into greed. When hope has become reality, it may become excessive pursuit of desire, and a kind of endless greed has rooted at the same time. Before we knew it, everyone has also become another carnivore.

「牛年牛又展 ─ 大家的回憶和願望」創作特展

“Ox Re-exhibition in the Year of the Ox – Our Memories and Wishes”Special Creative Exhibition